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A continuous soundscape could be heard at the front door. |
"Free thyself from the fetters of this world, and loose thy soul from the prison of self"
Baha'u'llah "Bevrijd u van de ketenen van deze wereld, en verlos uw ziel uit de gevangenis van het zelf" |
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The site-specific installations, soundscapes, interactive works, prints, drawings and paintings presented throughout evocative spaces of the Weaver's House, are responses to the threads of history of the contemporary human condition.
Many peoples present the world as being woven: its threads are lives, and their pattern is history. There are, for example, the Fates or Moirae in Greek mythology, who are the white-robed personifications of destiny. In Homer's Iliad the Moera spins the thread of life for men at their birth. Similar spinning goddesses of fate were known as the Norns in Norse mythology, and there is a parallel in the Baltic goddess Laima and her two sisters.
Here we use the theme of 'threads' as "elements of a story".
As you enter this museum you can read the hanging cloth outside in various ways in relation to the sounds you might notice as you enter. You might or might not notice the Persian text in this cloth, you might instead see it as a curtain or as an ephemeral form akin to a flag. The threads of the 'foreign' text might form a relationship (a story) with other elements such as the soundscape or the objects along the walls. As you proceed down the hall sounds from a video in a side room become audible as does the soundscape for the hanging objects "Inland Soul at Sea"
Inland Soul at Sea
The 7 minute soundscape that accompanies these hanging forms, incorporates music by Ben Koen & Joe Fiedler (from the "Reliance" cd) (U.S.A.), and by Brenda Liddiard and Mark Laurent (from their "Stations of the Cross" cd) (New Zealand).
In the courtyard: Memorials (1996/8),
ceramic tiles accompanied by a fairytale.
Above: Mutability (1993),
silkscreen print, wood + perspex.
Hanging objects and soundscape: Inland Soul at Sea (2003)
The strands bore narratives
or metaphysical stories
in New Zealand Maori,
Dutch and English,
read in the order discovered
by the viewer.
Small object on the window sill: Memorial (2003), ceramic form inside metal container.
Interactive Computer work: The Experience of Change (2006), animations, sounds and colours change in response to the user's actions.
Hung on the wall: A tangled Tale (1997), batik strips in three languages
Generating Plant (customized birdhouse with texts written on the roof.) + Memorials (ceramic tiles + fairytale in 4 languages)
Above: A Wild Animal (1992),
lithograph inside a custom-made perpex form,
4 objects in the cabinet,
Generating Plant (green birdhouse on the wall outside)
Right: prints on the wall: Found Objects (1992),
Land (2001), Eve's Apple (1992), Hiding a heart (1988)
Certain Measures, (1993/2002) table
and five wooden rods
(texts in Dutch and English).
Tulips from Istanbul (1997)
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19 text bearing snail-forms:
Dans le jardin des beaux arts (2000)
Tulips from Istanbul (1997)
<< View a higher quality of this image
19 text bearing snail-forms:
Dans le jardin des beaux arts
(2000)
Fain Would They (2004)
light bulb, text from the Quran cut out of metal.
The text reads:
Fain would they put out God's light, but God only desireth the light
though the infidels abhour it.
Left to Right: Tulips from Istanbul
Fain Would They and
Dans le jardin des beaux arts
Each snail bore a text arranged in a spiral. The texts -often in story format- allude to time, perspective, culture and nature. The texts look at these issues from various viewpoints, in an order and tempo chose by the viewer.