Left to Right: Prison of Self, 20 cm diameter, one of two looped videos, Ka tū te rimu (the rimu makes a stand /
the rimu stands), photographs, perspex, mirror, rimu tree trunk, 40 kilo of fill (less than 0.01% of the fill
dumped by our neighbour on our land), The reckless earthworks that swell and slide (in our backyard),
50 x 30 cm, Life Line, 10 cm diameter, Measuring Definitions, 10 x 10 cm.
These works offer diverse perspectives (matarau) on the word, Object.
Ka tū te rimu (the rimu makes a stand / the rimu stands) is a response to over 400 ton of fill being dumped on our suburban property. Just 0.1% of this tree clogging clay is part of this work.
The rimu, here from another tree, not the tree in what remains of our small forest, stands upside down. In the Māori creation story, Tāne, guardian of the forests stood upside down in order to separate his parents, Ranginui and Papatūānuki. Here the rimu points more to an out of place, out of order, sense of things.
That fill is not a nurturing mother earth.
And the child's open hand refracts and reflects as you move around the fill.
It is like a signifier or a rupture.
Detail of Ka tū te rimu (the rimu makes a stand /
the rimu stands) featuring my eldest granddaughter's hands.
Left to Right: Life Line, 10 cm diameter, Measuring Definitions, 10 x 10 cm,
Ka tū te rimu (the rimu makes a stand / the rimu stands) with Dead Insects by Ellie (Ellen) Smith, photographic life-size documention of a chafer beetle, flies, bees, cicadas, cockroaches,and wasps, set into upcycled vintage jewellery. Each piece of jewellery also records the date it was found dead, and the insect's Māori and English names.
Lifeline / He kapunga tuwhera, He tautoko, Edition 7/35. Photo-print on dubond. 10 cm diameter
Left to Right: Closing the gap (Child's Play)
Whakawhiti i te āputa (Te takaro a Te tamaiti), 2018,
Limited Edition 1/50. Photograph on dubond, oil based varnish,
10 x 15 cm. Video: The Dumping
Closing the gap (Child's Play)
Whakawhiti i te āputa (Te takaro a Te tamaiti), 2018,