In this setting "Sailing Home" came across as a poetic intervention; evoking links between the art world or a world of metaphor and the day to day or social life.
This performance was also about the importance of context, relating strongly to the theme of re-positionings, a recurring theme in my work.
Nine years earlier in 2000, while artist-in-residence at the gallery, I took 19 snail-forms for a walk down these same steps. For some of the visitors, these boats served as symbols of re-location in another way. We had just been travelling by boat (waka) down the Whanganui for the past 6 days.
The boats as objects themselves are also a re-positioning in my oeuvre. They were first made for the 2002 performance, "Colonizing Oxford by boat", in which I made the boats from pages out of my children's schoolbooks and placed them along a main shopping street in Oxford (U.K.).
In the Whanganui performance they serve as vehicles for the whimiscal or poetic; I feel part of the land there. So I called this "Sailing Home" rather than "Colonizing" changing the whole experience of the performance.