A collaboration between Jacqueline Wassen, Gaudi Hoedaya,
Sen McGlinn and Sonja van Kerkhoff.
Our installation began at the top level of an old archival building.
A text, set into the frieze-pattern about 3 metres up the wall, encircled the perimeter of the space.
Detail of the frieze: The word "zich" (yourself/oneself) is interrupted by the image (by Jacqueline) shown on the right. Jacquline´s images were of herself as a child relocated in evocative spaces. They suggested dream-worlds of the past -like openings for alternative routes of thought between the texts. |
Three photo-montages inserted between the letters by Jacqueline. Sonja´s images were of her children engaged in ´natural-cum-artifical´ acts. The combinations of sensuality and oddity were immediate and close. The world today. The detail, recognized as such implies more. |
Three photo-montages inserted between the letters by Sonja.
Gaudi´s images were of his own and extended family. The living and dead, remembered. |
Detail of the freize with photo-montages (by Gaudi) inserted between the letters. |
Two large mirrors on opposite sides of the space created an illusionary infinitely reflected space.
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Sen wanted mirrors at this level to push out the space and in combination with the text and images, to create a sense of self-awareness developed from reflection, memory and the spirit. The illusionary spaces were more than just a trompe l'oeil (trick of the eye), they created a sense of changing dimensions that went beyond the material. |