Artists / Photographers | The TreeCrops Exhibition >>
Annette Ah Chee, Kirikiriroa / Hamilton
Bev Goodwin, Auckland | Tāmaki-makau-rau instagram.com
Binny Birch, Moerewa, The Far North | Tāmaki-makau-rau
Brenda Liddiard, Auckland | Tāmaki-makau-rau brendaliddiard.co.nz
Chris Schreuder, Whangārei, Northland | Te Tai Tokerau facebook.com/chris.schreuder
Cle Tukuitonga,Ōtangaroa, The Far North | Te Tai Tokerau
Darren-Beaudene Hita, Whangārei | Te Tai Tokerau
Emma Papadopoulos, Athens, Greece emmapapadopoulos.wordpress.com
Gianni Prencipe, Nelson, Marlborough
Huriana Gilet, Kaitaia, The Far North | Te Tai Tokerau
Jason Povey, Whangārei
Jeff Thomson, Helensville jeffthomson.co.nz
Judy Stokes, Dargaville | Te Tai Tokerau judystokesphotography.com
Miriam von Mulert, Whangārei area | Te Tai Tokerau reyburnhouse.co.nz
Michelle Newman, Cable Bay, The Far North | Te Tai Tokerau
Phil Dadson, Auckland | Tāmaki-makau-rau thearts.co.nz/artists/phil-dadson
Piet Nieuwland Whangārei area, Northland | Te Tai Tokerau pietnieuwland.com
Raewyn Turner, Auckland raewynturner.com
Roland Stenger, Kirikiriroa / Hamilton
Ruth Genet, Mangōnui, The Far North | Te Tai Tokerau
Sen McGlinn, Kawakawa, Northland | Te Tai Tokerau sculpturebysen.wordpress.com
Sonja van Kerkhoff, Kawakawa, Te Tai Tokerau / The Hague, The Netherlands sonjavank.com
Sophia Dadson, Auckland | Tāmaki-makau-rau
Ursula Christel, Warkworth (South Africa) ursulachristel.com
Valma Shanks, Awanui, The Far North | Te Tai Tokerau
Yuki Fukuda, Whakatū | Nelson
Quest Art Space overview. Right to Left: works by Bev Goodwin, Phil Dadson and Piet Nieuwland
Pod II, 60 x 60 cm, acrylic & collage on canvas, by Brenda Liddiard
I AM A SEED (He kākano ahau), photographic print by Cle Tukuitonga. A visit to the Auckland Museum. White lettering refers to the breath shared between 12yr old nephew and ancestor as they hongi. White outlines represent the mauri (life force)
te whenua (the land), photographic print by Cle Tukuitonga.
10 photographs by Treecrop members in the exhibition within the exhibition.
Past, Present, Future, laser print relief by Jason Povey. THE ART OF CONNECTION and TO BE TREASURED by Judy Stokes.
Photographs, left to Right: Ngā wawata o te kākano - Aspirations of the seed by Annette Ah Chee. The illusory context of the finger lime
(Citrus australasica)
alludes to the latent potential of the cross-pollinated seed in nature. Finger lime → Buddha hand (Citrus medica var. sarcodactylis)…?
The life of a lemon sucks by Annette Ah Chee. From the beginning (an optimistic seed) to the end (juice). The skew of the glass symbolises the delicate balance
in nature. Te kaakano poorangi - The crazy impatient seed.
Koroī by Ursula Christel
Shades of Sunshine (with Kahikatea Sapling)
by Ursula Christel
Bananas Ōtangaroa by Cle Tukuitonga. Originally 2 hip high banana pups from Sonja and Sen 5/6yrs ago.
15+ trees have grown since. We share the fruit and pups with family and friends. They can’t believe it!
Seed: The expression of joy by beings that 'crystallize' nectar and pollen by Gianni Prencipe.
Bucket full of floriferous orchard understory seeds. Saving seed is having and sharing hope.
Shades of Sunshine (with Kahikatea Sapling) by Ursula Christel. As the tallest native tree in Aotearoa,
I chose the Kahikatea to express the link between energy and potential - sunlight and seeds. Seeds are
tiny latent vessels containing blueprints to start new life; and sunlight is the primary energy source for
the seed to achieve its full potential. Sunlight supports the germination process by warming the soil;
and once leaves have sprouted, sunlight supports plant growth through photosynthesis. The Kahikatea
berries, known as koroī, provide a valuable food source for
native species like tūī, kererū/kūkupa
(wood pigeon), lizards and invertebrates,
as well as for people. In March this year, the female trees
were fruiting in Warkworth. Because these attractive seeds are edible, their wide dispersal
via ingestion and defecation is
guaranteed; enabling the cycle to begin again.
Weather Report (Photo 1983 Matakana Island Bay of Plenty) by Piet Nieuwland.
The wheel turns
From a whispering silky sea / weightless turquoise sky
To ribbons of air unwinding skeins of letters
Of a leaden sky / grey metallic green ocean
Torn surf flecked with stretched foams and pale blues
Bream Bay coastal current vectors twist and roll
On this periphery of ragged headlands and islands
The horizon not a line but a zone of incrementally
Rising undulations driven in from Antarctic ice shelf melt
Arctic melt, glacier melt, permafrost melt, thermal expansion
Mesmerizing in their fresh salt laden intrigues
That leaves on the high tide flotsam / jetlag line
A pig (sow), bloated, fly-blown on a spit (sand)
Bunch of bananas (lady finger) edible
Plastic star jump toy (green)
Fragments of childhood memories (happy) and distressed
The swells find they have no-where else to go
Fall into a jumble of meter and structure
Theories of cultural greed, life / art
As object / dream / practice / process
Also described as sea level rise crisis panic
Poem published in Given Words, National Poetry Day 2020
Homegrown bananas, Whatawhata, 2024 by Roland Stenger. The photo shows some of our first homegrown
bananas, encouraged by tasting NZ-grown
bananas for the first time at a fruit stall in Rawene
(= 'seed') five years earlier.
Silver Fern (ponga), in our urban
ngahere kei Kawakawa, Te Tai Tokerau
Sonja van Kerkhoff, 2024
Ferns are an ancient plant family over
300 million years old. They reproduce
through their spores.
Fern spores grow
on the underside of the leaves.
Silver fern ‘seeds’ (spores)
He Whakatū Raihi – Rice Grown in Nelson,
March 2024 photos by Yuki Fukuda (Japanese rice (variety: Yukihikari)
This is the first successful rice growing trial
in Nelson (as far as we know).
We created a 2x2 m experimental plot to grow a Japanese rice variety, Yukihikari (snow light),
which was kindly provided by Yoshimasa Sakurai who had grown rice in Kaiwaka since the 1990s.
Rice is an Asian taonga - hundreds of products can be created from both straw and rice,
including housing, clothing and food.
Despite the average annual rice consumption per capita increasing to 17kg,
our country relies 100% on the imported rice.
Large-scale rice production in Aotearoa is a crucial step towards adapting to climate change, improving food security
and celebrating our cultural diversity.
In the Wind, watercolour on 300 gms CP paper, 41 x 60 cm by Michelle Newman, Cable Bay, Te Tai Tokerau,
SCATTERLINGS, photographic print, 42 x 42 cm, and BELIEVE IN MAGIC, photographic print by Judy Stokes, Dargaville.
Acrylic on paper (three pieces) by Sophia Dadson Auckland | Tāmaki-makaurau
An exhibition of double a5 images - like the title in Māori above - the seed makes it happen - there is a photograph and then a second page or image or poem about that plant, tree, or flower.
1. Annette Ah Chee, Waikato -Thames / Coromandel
2. Annette Ah Chee, Waikato -Thames / Coromandel
3. Cle Tukuitonga, Northland / Te Tai Tokerau
4. Gianni Prencipe, Nelson / Tasman
5. Ursula Christel, Warkworth, Auckland
6. Piet Nieuwland, Northland / Te Tai Tokerau
7. Roland Stenger, Waikato
8. Sen McGlinn, Northland / Te Tai Tokerau
9. Sonja van Kerkhoff, Northland / Te Tai Tokerau
10. Yuki Fukuda, Nelson / Tasman
Left to Right: Binny Birch, Moewera, Te Tai Tokerau
Ngā kākano, unlimited edition laser print, $30
Miriam von Mulert, Te Tai Tokerau
Totara Berry, Framed Photographic Print, $400
Choko, Framed Photographic Print, $580
Right to Left, Top to Bottom:
Bev Goodwin Auckland | Tāmaki-makaurau,
Purple, upcycled plastic and wood assemblage, $345
Ruth Genet, Mangonui, Te Tai Tokerau. Seed dispersal, Acrylic on canvas, 45 x 85 cm, $575
Miriam von Mulert, Te Tai Tokerau
Blue, Framed Photographic Print
Raewyn Turner, Auckland | Tāmaki-makaurau.
Slip, oil on linen, $800. Credit, oil on linen, $800
Valma Shanks, Awanui, Te Tai Tokerau
Explosion, acrylic on board, 45 cm x 36 cm, $150
Darren-Beaudene Hita, Whangārei
space cloud, acrylic on canvas, $120
Dreamy chaos, acrylic on canvas, $120
Jeff Thomson, Helensville | Tāmaki-makaurau
watering can, corrugated iron, NFS
Raewyn Turner, Auckland | Tāmaki-makaurau
Duality, oil on linen, $800
Bev Goodwin & Jeff Thomson
Pink, hand wound recycled telephone wire, $750
Right to Left: Ursula Christel, Warkworth. Spring Dreaming, 65 x 12 x 12 cm, NFS
wood, shellac, poppy seedpod, tissue & handmade paper, twine
Brenda Liddiard, Auckland | Tāmaki-makau-rau
Pod III, acrylic & collage on canvas, $200
Pod IV, acrylic & collage on canvas, $200
All living things, whether animal or plant, come from seed, and carry within them the history and potential passed down by their ancestors. How we manage that inheritance will determine our path into the unknown future, and will potentially influence in some ways the stories of our descendants.
Darren-Beaudene Hita, Whangārei, Blueberry grape, acrylic on canvas, $120
Huriana Gilet, Kaitaia, Te Tai Tokerau
Seeds, Acrylic on board, seed, seed pod, drift wood, 40 x 40cm, $70
Emma Papadopoulos, Athens, Greece. Philoxenia, acrylic on canvas board, $60
Posted to Sonja from Greece. Philoxenia literally 'friend to a stranger,' pertains to taking care of, looking after, being hospitable. Her chairs, her cultural reference to Greek hospitality, were in 2021 empty, due to lockdown.
More:
sonjavank.com/takecare
Sonja van Kerkhoff Kawakawa, Te Tai Tokerau.
He manawa piharau | Endurance, laser print on water resistant, fade proof acrylic. Edition of 95. Nā Te Toroa Pōhatu te reo Māori. About the work and translation:
https://sonjavank.com/endurance.htmRight to Left >> Ursula Christel, Warkworth. Spring Dreaming, 65 x 12 x 12 cm, NFS
wood, shellac, poppy seedpod, tissue & handmade paper, twine
Since ancient times, poppies have come to represent sleep, dreaming, eternal sleep/death, and regeneration.
‘And like seeds dreaming beneath the snow your heart dreams of spring.
Trust the dreams, for in them is hidden the gate to eternity.’
From "On Death" by Kahlil Gibran
Brenda Liddiard, Auckland | Tāmaki-makau-rau. Pod III, acrylic & collage on canvas, $200
Ursula Christel, Warkworth
Be Still, 122 x 30cm, acrylic, shellac, pencil, spray paint on framed canvas
Be Still relates to the sacred period of dormancy in a literal or metaphorical sense; the solitude and silence that is necessary for germination, before the flourish of regeneration can occur.
4 works by Chris Schreuder, Whangārei, Northland | Te Tai Tokerau
(right to left)
Oblivious Time, framed digital photograph, $500
Endurance, framed digital photograph, $650
Life in the Dead Box, framed digital photograph, $650
Temporal Track, framed digital photograph, $650